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Missale Herbipolense: fragment
Missale Herbipolense: f...
Catholic Church
manuscript (documents)
 
Title
Missale Herbipolense: fragment
Creator
Catholic Church
Summary
[Ms. This manuscript leaf is part of a collection of medieval manuscript leaves selected to illustrate the art of the manuscript during the period of its greatest development and influence. They have been taken from books written in various European scriptoria by Benedictine, Franciscan, Carthusian, Dominican, and other orders of monks. Many are enriched with handsome borders, initial letters, and line-endings rendered in color. Twenty-five are illuminated with burnished gold or silver. The texts include the Bible, various church service books, the writings of the Church fathers, and some of the Classics., In transitional early gothic notation., The Missal has been for many centuries one of the most important liturgical books of the Roman Catholic Church. It contains all the directions, in rubrics and texts, necessary for the performance of the mass throughout the year. The text frequently varied considerably according to locality. This particular manuscript was written by Benedictine monks for the Parochial School of St. John the Baptist in Würzburg shortly after 1300 A.D. The musical notation is the rare type which is a transition between the early neumes and the later Gothic or horseshoe nail notation. The "C" line of the staff is indicated by that letter, and the "F" simply by a diamond, an unusual method. The bold initial letters in red and blue are "built up" letters; first the outlines ere made with a quill and then afterward the areas were colored with a brush. This vellum leaf was created in Germany.]
Psalterium: fragment
Psalterium: fragment
Catholic Church
manuscript (documents)
 
Title
Psalterium: fragment
Creator
Catholic Church
Summary
[Ms. This manuscript leaf is part of a collection of medieval manuscript leaves selected to illustrate the art of the manuscript during the period of its greatest development and influence. They have been taken from books written in various European scriptoria by Benedictine, Franciscan, Carthusian, Dominican, and other orders of monks. Many are enriched with handsome borders, initial letters, and line-endings rendered in color. Twenty-five are illuminated with burnished gold or silver. The texts include the Bible, various church service books, the writings of the Church fathers, and some of the Classics., In angular gothic script; gothic notation, This leaf from the Book of Psalms was written in the Benedictine monastery of St. Stephan in Würzburg and dated 1499 A.D. The book hand closely resembles the fine early gothic types called lettre de forme and used by Fust and Schoeffer in their superb Psalter issued in 1457. It is known that these printers also used this type to print the Canon of the mass which was frequently sold as a replacement for the soiled and worn out manuscript pages of that text. A close examination indicates that the scribe apparently tried to imitate printing type characters in many instances. In just the same way, the first printers had copied in their designs the current local book hand. The line of music giving the "free" melody of the psalm here retains the early XIIth century staff, with the C-line colored yellow and the F-line red. These note forms are frequently called Hufnagelschrift or horse-shoe nail notation because of their resemblance to hobnails. This vellum leaf was created in Germany.]
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