COLLECTION NAME:
RIT CARY GRAPHIC ARTS COLLECTION
mediaCollectionId
RIT~1~1
RIT CARY GRAPHIC ARTS COLLECTION
Collection
true
Filename:
cc20190605_27
filename
cc20190605_27
Filename
false
Identifier:
cc20190605_27
identifier
cc20190605_27
Identifier
false
Title:
Antiphonarium: fragment
title
Antiphonarium: fragment
Title
false
Creator:
Catholic Church
creator
Catholic Church
Creator
false
Subject:
Antiphonaries - Illustrations
subject
Antiphonaries - Illustrations
Subject
false
Subject:
Music - Manuscripts
subject
Music - Manuscripts
Subject
false
Subject:
Gregorian chants
subject
Gregorian chants
Subject
false
Subject:
Illumination of books and manuscripts
subject
Illumination of books and manuscripts
Subject
false
Subject:
Manuscripts, Medieval
subject
Manuscripts, Medieval
Subject
false
Summary:
Ms. This manuscript leaf is part of a collection of medieval manuscript leaves selected to illustrate the art of the manuscript during the period of its greatest development and influence. They have been taken from books written in various European scriptoria by Benedictine, Franciscan, Carthusian, Dominican, and other orders of monks. Many are enriched with handsome borders, initial letters, and line-endings rendered in color. Twenty-five are illuminated with burnished gold or silver. The texts include the Bible, various church service books, the writings of the Church fathers, and some of the Classics.
description
Ms. This manuscript leaf is part of a collection of medieval manuscript leaves selected to illustrate the art of the manuscript during the period of its greatest development and influence. They have been taken from books written in various European scriptoria by Benedictine, Franciscan, Carthusian, Dominican, and other orders of monks. Many are enriched with handsome borders, initial letters, and line-endings rendered in color. Twenty-five are illuminated with burnished gold or silver. The texts include the Bible, various church service books, the writings of the Church fathers, and some of the Classics.
Summary
false
Summary:
In rotunda gothic script; Gregorian notation.
description
In rotunda gothic script; Gregorian notation.
Summary
false
Summary:
The chanting of hymns during ecclesiastical rites goes back to the beginning of Christian services. Antiphonal or responsive singing is said to have been introduced in the second century by St. Ignatius of Antioch. According to legend, he had a vision of a heavenly choir singing in honor of the Blessed Trinity in the responsive manner. Many of the more than four hundred antiphons which have survived the centuries are elaborate in their musical structure. They were sung in the medieval church by the first cantor and his assistants. Candle grease stains reveal that this small-sized antiphonal was doubtless carried in processions in dimly lighted cathedrals. In this example the notation is written on the four-line red staff which was in general use by the end of the 12th century. The script is the usual form of Italian rotunda with bold Lombardic initial letters. This leaf was created in Italy.
description
The chanting of hymns during ecclesiastical rites goes back to the beginning of Christian services. Antiphonal or responsive singing is said to have been introduced in the second century by St. Ignatius of Antioch. According to legend, he had a vision of a heavenly choir singing in honor of the Blessed Trinity in the responsive manner. Many of the more than four hundred antiphons which have survived the centuries are elaborate in their musical structure. They were sung in the medieval church by the first cantor and his assistants. Candle grease stains reveal that this small-sized antiphonal was doubtless carried in processions in dimly lighted cathedrals. In this example the notation is written on the four-line red staff which was in general use by the end of the 12th century. The script is the usual form of Italian rotunda with bold Lombardic initial letters. This leaf was created in Italy.
Summary
false
Digital Publisher:
Rochester Institute of Technology - RIT Libraries - Cary Graphic Arts Collection
digital_publisher
Rochester Institute of Technology - RIT Libraries - Cary Graphic Arts Collection
Digital Publisher
false
Contributor:
Ege, Otto F.
contributor
Ege, Otto F.
Contributor
false
Date of Original:
1430 approximate
date
1430 approximate
Date of Original
false
Date of Digitization:
2019
date_of_digitization
2019
Date of Digitization
false
Broad Type:
still image
broad_type
still image
Broad Type
false
Specific Type:
manuscript (documents)
type
manuscript (documents)
Specific Type
false
Digital File Format:
jpeg
format
jpeg
Digital File Format
false
Physical Format:
books
physical_format
books
Physical Format
false
Dimensions of Original:
36 x 26 cm
dimensions_of_original
36 x 26 cm
Dimensions of Original
false
Language:
Latin
language
Latin
Language
false
Original Item Location:
PORTFOLIO BOX 2-27
relation
PORTFOLIO BOX 2-27
Original Item Location
false
Digital Project:
2019_027_manuscripts
digital_projects__
2019_027_manuscripts
Digital Project
false
Catalog Record:
catalog_record
https://albert.rit.edu/record=b1427034
Catalog Record
false
Place:
Italy
coverage
Italy
Place
false
Rights:
RIT Libraries makes materials from its collections available for educational and research purposes pursuant to U.S. Copyright Law. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. It is your responsibility to obtain permission from the copyright holder to publish or reproduce images in print or electronic form.
rights
RIT Libraries makes materials from its collections available for educational and research purposes pursuant to U.S. Copyright Law. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. It is your responsibility to obtain permission from the copyright holder to publish or reproduce images in print or electronic form.
Rights
false
Notes:
The manuscript leaves of this collection were accumulated and selected and most of the accompanying information was prepared over a period of forty years by the late Otto F. Ege, Dean of the Cleveland Institute of Art and Lecturer on the History of the Book at the School of Library Science, Western Reserve University. Each leaf is matted and accompanied by a descriptive letterpress label.
notes
The manuscript leaves of this collection were accumulated and selected and most of the accompanying information was prepared over a period of forty years by the late Otto F. Ege, Dean of the Cleveland Institute of Art and Lecturer on the History of the Book at the School of Library Science, Western Reserve University. Each leaf is matted and accompanied by a descriptive letterpress label.
Notes
false
Other Title:
Antiphonary. Fragments. Early 15th century
other_title
Antiphonary. Fragments. Early 15th century
Other Title
false
Other Title:
Antiphonal
other_title
Antiphonal
Other Title
false