COLLECTION NAME:
RIT CARY GRAPHIC DESIGN ARCHIVES COLLECTION
mediaCollectionId
RIT~3~3
RIT CARY GRAPHIC DESIGN ARCHIVES COLLECTION
Collection
true
Filename:
cc_csc0103_agha
filename
cc_csc0103_agha
Filename
false
Identifier:
cc_csc0103_agha
identifier
cc_csc0103_agha
Identifier
false
Title:
Scrapbook of collected writings by Mehemed F. Agha
title
Scrapbook of collected writings by Mehemed F. Agha
Title
false
Creator:
Morrow, Joyce
creator
Morrow, Joyce
Creator
false
Subject:
Agha, Mehemed Fehmy
subject
Agha, Mehemed Fehmy
Subject
false
Subject:
Photography
subject
Photography
Subject
false
Subject:
Exhibitions
subject
Exhibitions
Subject
false
Subject:
Commercial art
subject
Commercial art
Subject
false
Subject:
Graphic arts
subject
Graphic arts
Subject
false
Subject:
Magazine design
subject
Magazine design
Subject
false
Subject:
Editorials
subject
Editorials
Subject
false
Summary:
Articles by Dr. M. F. Agha pasted into this scrapbook
M.F. Agha, “Foreword,” n.d.
“Sanserif, Legerdemain, Avoirdupois,” March 1931
“Preface,” US Camera, 1935
“A Word on European Photography,” n.d.
“Exhibition of Photographs By Anton Bruehl,” Delphic Studios, 9 East 57th Street, New York City, March 1931
“Photographs by Three Americans,” John Becker 520 Madison Avenue, New York
April 18 to May 8, 1931
“Paul Outerbridge, Jr., Advertising Arts”, May 1931
“Ralph Steiner,” Creative Art, January 1932
“Art and Art Directors,” Advertising Arts, May 1935
“Leave European Art In Europe,” Advertising Arts, January 1932
“What Makes A Magazine “Modern,” Advertising Arts, October 1, 1930
“About Margins And Bleeds," by Dr. M.F. Agha, Art Director, of The Conde Nast Publications. Condensed from an address delivered on January 25 at a meeting on periodical design sponsored by the American Institute of Graphic Arts. Published in American Printer, March 1935
“The Hippocratic Oath of a Photographer,” n.d.
“Surrealism or the Purple,” Vogue, November 1, 1936
“Whistlers Hippopotamus: A Japing Dialogue on Photography, New and Old,” Vogue, March 15, 1939
“Graphic Arts in Advertising, Moderns And Modernists,” n.d.
“Woman’s Place Is in the Dark Room,” October 15, 1938
“Melies, Father of the Impossible, The Fantastic Story Of A Movie Pioneer Who Now Has A One Man Show in the New Building of The Museum of Modern Art,” n.d.
“Some Terrible Painters, Who Actually Invented Photography? A Well Known Art Director traces it Back to an Indiana Town, and Shows How Frustrated Painters were at the Bottom of It All, US Camera, 1939
“The Passing of the Blops, He loved Blops, and Lost Them, in a Paris that Always Took Two Hours for Lunch,” Vogue, September 15, 1940
“Raphaels Without Hands: Ever Since Its Invention, Photography Has Managed to Be the Popular Art Of America,” Vogue, June 15, 1941
“Joseph Platt: The Man Who Gets Tired Easily,” Marshall Fields Fashions of the Hour, October 1941
“That’s My System, How to Arrange Four Lights for Indoor Portraits,” n.d.
“Photography Lays An Easy Egg,” Junior Bazaar, June 1947
“National Exhibition of Advertising and Editorial Art…The Metropolitan Museum of Art,” April 25 to June 1, 1947
“Fashion Photography Today,” n.d.
“Horseless Photography,” Harper’s Bazaar, November 1944
M.F. Agha, “Foreword,” n.d.
“Sanserif, Legerdemain, Avoirdupois,” March 1931
“Preface,” US Camera, 1935
“A Word on European Photography,” n.d.
“Exhibition of Photographs By Anton Bruehl,” Delphic Studios, 9 East 57th Street, New York City, March 1931
“Photographs by Three Americans,” John Becker 520 Madison Avenue, New York
April 18 to May 8, 1931
“Paul Outerbridge, Jr., Advertising Arts”, May 1931
“Ralph Steiner,” Creative Art, January 1932
“Art and Art Directors,” Advertising Arts, May 1935
“Leave European Art In Europe,” Advertising Arts, January 1932
“What Makes A Magazine “Modern,” Advertising Arts, October 1, 1930
“About Margins And Bleeds," by Dr. M.F. Agha, Art Director, of The Conde Nast Publications. Condensed from an address delivered on January 25 at a meeting on periodical design sponsored by the American Institute of Graphic Arts. Published in American Printer, March 1935
“The Hippocratic Oath of a Photographer,” n.d.
“Surrealism or the Purple,” Vogue, November 1, 1936
“Whistlers Hippopotamus: A Japing Dialogue on Photography, New and Old,” Vogue, March 15, 1939
“Graphic Arts in Advertising, Moderns And Modernists,” n.d.
“Woman’s Place Is in the Dark Room,” October 15, 1938
“Melies, Father of the Impossible, The Fantastic Story Of A Movie Pioneer Who Now Has A One Man Show in the New Building of The Museum of Modern Art,” n.d.
“Some Terrible Painters, Who Actually Invented Photography? A Well Known Art Director traces it Back to an Indiana Town, and Shows How Frustrated Painters were at the Bottom of It All, US Camera, 1939
“The Passing of the Blops, He loved Blops, and Lost Them, in a Paris that Always Took Two Hours for Lunch,” Vogue, September 15, 1940
“Raphaels Without Hands: Ever Since Its Invention, Photography Has Managed to Be the Popular Art Of America,” Vogue, June 15, 1941
“Joseph Platt: The Man Who Gets Tired Easily,” Marshall Fields Fashions of the Hour, October 1941
“That’s My System, How to Arrange Four Lights for Indoor Portraits,” n.d.
“Photography Lays An Easy Egg,” Junior Bazaar, June 1947
“National Exhibition of Advertising and Editorial Art…The Metropolitan Museum of Art,” April 25 to June 1, 1947
“Fashion Photography Today,” n.d.
“Horseless Photography,” Harper’s Bazaar, November 1944
description
Articles by Dr. M. F. Agha pasted into this scrapbook
M.F. Agha, “Foreword,” n.d.
“Sanserif, Legerdemain, Avoirdupois,” March 1931
“Preface,” US Camera, 1935
“A Word on European Photography,” n.d.
“Exhibition of Photographs By Anton Bruehl,” Delphic Studios, 9 East 57th Street, New York City, March 1931
“Photographs by Three Americans,” John Becker 520 Madison Avenue, New York
April 18 to May 8, 1931
“Paul Outerbridge, Jr., Advertising Arts”, May 1931
“Ralph Steiner,” Creative Art, January 1932
“Art and Art Directors,” Advertising Arts, May 1935
“Leave European Art In Europe,” Advertising Arts, January 1932
“What Makes A Magazine “Modern,” Advertising Arts, October 1, 1930
“About Margins And Bleeds," by Dr. M.F. Agha, Art Director, of The Conde Nast Publications. Condensed from an address delivered on January 25 at a meeting on periodical design sponsored by the American Institute of Graphic Arts. Published in American Printer, March 1935
“The Hippocratic Oath of a Photographer,” n.d.
“Surrealism or the Purple,” Vogue, November 1, 1936
“Whistlers Hippopotamus: A Japing Dialogue on Photography, New and Old,” Vogue, March 15, 1939
“Graphic Arts in Advertising, Moderns And Modernists,” n.d.
“Woman’s Place Is in the Dark Room,” October 15, 1938
“Melies, Father of the Impossible, The Fantastic Story Of A Movie Pioneer Who Now Has A One Man Show in the New Building of The Museum of Modern Art,” n.d.
“Some Terrible Painters, Who Actually Invented Photography? A Well Known Art Director traces it Back to an Indiana Town, and Shows How Frustrated Painters were at the Bottom of It All, US Camera, 1939
“The Passing of the Blops, He loved Blops, and Lost Them, in a Paris that Always Took Two Hours for Lunch,” Vogue, September 15, 1940
“Raphaels Without Hands: Ever Since Its Invention, Photography Has Managed to Be the Popular Art Of America,” Vogue, June 15, 1941
“Joseph Platt: The Man Who Gets Tired Easily,” Marshall Fields Fashions of the Hour, October 1941
“That’s My System, How to Arrange Four Lights for Indoor Portraits,” n.d.
“Photography Lays An Easy Egg,” Junior Bazaar, June 1947
“National Exhibition of Advertising and Editorial Art…The Metropolitan Museum of Art,” April 25 to June 1, 1947
“Fashion Photography Today,” n.d.
“Horseless Photography,” Harper’s Bazaar, November 1944
Summary
false
Digital Publisher:
Rochester Institute of Technology - RIT Libraries - Cary Graphic Arts Collection
digital_publisher
Rochester Institute of Technology - RIT Libraries - Cary Graphic Arts Collection
Digital Publisher
false
Contributor:
Agha, Mehemed Fehmy
contributor
Agha, Mehemed Fehmy
Contributor
false
Date of Original:
1930 approximate
date
1930 approximate
Date of Original
false
Date of Digitization:
2022
date_of_digitization
2022
Date of Digitization
false
Broad Type:
still image
broad_type
still image
Broad Type
false
Specific Type:
scrapbooks
type
scrapbooks
Specific Type
false
Digital File Format:
jpeg
format
jpeg
Digital File Format
false
Physical Format:
books
physical_format
books
Physical Format
false
Dimensions of Original:
31.8 cm
dimensions_of_original
31.8 cm
Dimensions of Original
false
Language:
English
language
English
Language
false
Original Item Location:
CSC 0103
relation
CSC 0103
Original Item Location
false
Library Collection:
Joyce Morrow collection
original_item_location
Joyce Morrow collection
Library Collection
false
Digital Project:
2022_0037_agha
digital_projects__
2022_0037_agha
Digital Project
false
Catalog Record:
catalog_record
https://archivesspace.rit.edu/repositories/3/resources/1028
Catalog Record
false
Place:
New York - New York
coverage
New York - New York
Place
false
Rights:
RIT Libraries makes materials from its collections available for educational and research purposes pursuant to U.S. Copyright Law. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. It is your responsibility to obtain permission from the copyright holder to publish or reproduce images in print or electronic form.
rights
RIT Libraries makes materials from its collections available for educational and research purposes pursuant to U.S. Copyright Law. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. It is your responsibility to obtain permission from the copyright holder to publish or reproduce images in print or electronic form.
Rights
false
Notes:
title supplied by the cataloguer
notes
title supplied by the cataloguer
Notes
false