COLLECTION NAME:
RIT CARY GRAPHIC ARTS COLLECTION
mediaCollectionId
RIT~1~1
RIT CARY GRAPHIC ARTS COLLECTION
Collection
true
Filename:
cc20190605_35
filename
cc20190605_35
Filename
false
Identifier:
cc20190605_35
identifier
cc20190605_35
Identifier
false
Title:
Contra Jovinianum: fragment
title
Contra Jovinianum: fragment
Title
false
Creator:
Jerome, Saint, d. 419 or 20
creator
Jerome, Saint, d. 419 or 20
Creator
false
Subject:
Jerome, Saint, -419 or 420. Contra Jovinianum - Illustrations
subject
Jerome, Saint, -419 or 420. Contra Jovinianum - Illustrations
Subject
false
Subject:
Illumination of books and manuscripts, Medieval
subject
Illumination of books and manuscripts, Medieval
Subject
false
Subject:
Manuscripts, Medieval
subject
Manuscripts, Medieval
Subject
false
Summary:
Ms. This manuscript leaf is part of a collection of medieval manuscript leaves selected to illustrate the art of the manuscript during the period of its greatest development and influence. They have been taken from books written in various European scriptoria by Benedictine, Franciscan, Carthusian, Dominican, and other orders of monks. Many are enriched with handsome borders, initial letters, and line-endings rendered in color. Twenty-five are illuminated with burnished gold or silver. The texts include the Bible, various church service books, the writings of the Church fathers, and some of the Classics.
description
Ms. This manuscript leaf is part of a collection of medieval manuscript leaves selected to illustrate the art of the manuscript during the period of its greatest development and influence. They have been taken from books written in various European scriptoria by Benedictine, Franciscan, Carthusian, Dominican, and other orders of monks. Many are enriched with handsome borders, initial letters, and line-endings rendered in color. Twenty-five are illuminated with burnished gold or silver. The texts include the Bible, various church service books, the writings of the Church fathers, and some of the Classics.
Summary
false
Summary:
In letter de somme
description
In letter de somme
Summary
false
Summary:
Jerome, the father of the Latin Church and translator of the Bible, shows in his writing his active participation in the controversies of his day (c. 332 to 420 A.D.). With the frequent use of vehement invective, he is often as biting as Juvenal or Martial. This fine book hand, lettre de somme, obtained its name from the fact that Fust and Schoeffer used a type based on it for the printing of their Summa Theologica of St. Thomas Aquinas in 1467. It was the favorite manuscript book hand in the second half of the 15th century for the transcribing of French chronicles and romances. Simplicity and dignity are maintained by omitting all enrichment around the burnished gold letters. The first printed books followed the practice seen here of marking off by hand and with a stroke of red the capitals at the beginning of each sentence. Fifteenth century ink frequently had a tendency to fade to a gray tone as in this example. This vellum leaf was created in France.
description
Jerome, the father of the Latin Church and translator of the Bible, shows in his writing his active participation in the controversies of his day (c. 332 to 420 A.D.). With the frequent use of vehement invective, he is often as biting as Juvenal or Martial. This fine book hand, lettre de somme, obtained its name from the fact that Fust and Schoeffer used a type based on it for the printing of their Summa Theologica of St. Thomas Aquinas in 1467. It was the favorite manuscript book hand in the second half of the 15th century for the transcribing of French chronicles and romances. Simplicity and dignity are maintained by omitting all enrichment around the burnished gold letters. The first printed books followed the practice seen here of marking off by hand and with a stroke of red the capitals at the beginning of each sentence. Fifteenth century ink frequently had a tendency to fade to a gray tone as in this example. This vellum leaf was created in France.
Summary
false
Digital Publisher:
Rochester Institute of Technology - RIT Libraries - Cary Graphic Arts Collection
digital_publisher
Rochester Institute of Technology - RIT Libraries - Cary Graphic Arts Collection
Digital Publisher
false
Contributor:
Ege, Otto F.
contributor
Ege, Otto F.
Contributor
false
Date of Original:
1450 approximate
date
1450 approximate
Date of Original
false
Date of Digitization:
2019
date_of_digitization
2019
Date of Digitization
false
Broad Type:
still image
broad_type
still image
Broad Type
false
Specific Type:
manuscript (documents)
type
manuscript (documents)
Specific Type
false
Digital File Format:
jpeg
format
jpeg
Digital File Format
false
Physical Format:
books
physical_format
books
Physical Format
false
Dimensions of Original:
39 x 28 cm
dimensions_of_original
39 x 28 cm
Dimensions of Original
false
Language:
Latin
language
Latin
Language
false
Original Item Location:
PORTFOLIO BOX 2-35
relation
PORTFOLIO BOX 2-35
Original Item Location
false
Digital Project:
2019_027_manuscripts
digital_projects__
2019_027_manuscripts
Digital Project
false
Catalog Record:
catalog_record
https://albert.rit.edu/record=b1426519
Catalog Record
false
Place:
France
coverage
France
Place
false
Rights:
RIT Libraries makes materials from its collections available for educational and research purposes pursuant to U.S. Copyright Law. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. It is your responsibility to obtain permission from the copyright holder to publish or reproduce images in print or electronic form.
rights
RIT Libraries makes materials from its collections available for educational and research purposes pursuant to U.S. Copyright Law. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. It is your responsibility to obtain permission from the copyright holder to publish or reproduce images in print or electronic form.
Rights
false
Notes:
The manuscript leaves of this collection were accumulated and selected and most of the accompanying information was prepared over a period of forty years by the late Otto F. Ege, Dean of the Cleveland Institute of Art and Lecturer on the History of the Book at the School of Library Science, Western Reserve University. Each leaf is matted and accompanied by a descriptive letterpress label.
notes
The manuscript leaves of this collection were accumulated and selected and most of the accompanying information was prepared over a period of forty years by the late Otto F. Ege, Dean of the Cleveland Institute of Art and Lecturer on the History of the Book at the School of Library Science, Western Reserve University. Each leaf is matted and accompanied by a descriptive letterpress label.
Notes
false
Other Title:
Contra Jovinianum. Fragments. 1430-1470?
other_title
Contra Jovinianum. Fragments. 1430-1470?
Other Title
false
Other Title:
Writings of St. Jerome
other_title
Writings of St. Jerome
Other Title
false