COLLECTION NAME:
RIT CARY GRAPHIC ARTS COLLECTION
mediaCollectionId
RIT~1~1
RIT CARY GRAPHIC ARTS COLLECTION
Collection
true
Filename:
cc20190605_31
filename
cc20190605_31
Filename
false
Identifier:
cc20190605_31
identifier
cc20190605_31
Identifier
false
Title:
Horae Beatae Mariae Virginis: fragment
title
Horae Beatae Mariae Virginis: fragment
Title
false
Subject:
Books of hours - Illustrations
subject
Books of hours - Illustrations
Subject
false
Subject:
Illumination of books and manuscripts, Medieval
subject
Illumination of books and manuscripts, Medieval
Subject
false
Subject:
Manuscripts, Medieval
subject
Manuscripts, Medieval
Subject
false
Summary:
Ms. This manuscript leaf is part of a collection of medieval manuscript leaves selected to illustrate the art of the manuscript during the period of its greatest development and influence. They have been taken from books written in various European scriptoria by Benedictine, Franciscan, Carthusian, Dominican, and other orders of monks. Many are enriched with handsome borders, initial letters, and line-endings rendered in color. Twenty-five are illuminated with burnished gold or silver. The texts include the Bible, various church service books, the writings of the Church fathers, and some of the Classics.
description
Ms. This manuscript leaf is part of a collection of medieval manuscript leaves selected to illustrate the art of the manuscript during the period of its greatest development and influence. They have been taken from books written in various European scriptoria by Benedictine, Franciscan, Carthusian, Dominican, and other orders of monks. Many are enriched with handsome borders, initial letters, and line-endings rendered in color. Twenty-five are illuminated with burnished gold or silver. The texts include the Bible, various church service books, the writings of the Church fathers, and some of the Classics.
Summary
false
Summary:
In angular gothic script
description
In angular gothic script
Summary
false
Summary:
In the second half of the 15th century, the devout and wealthy laymen had a wide selection of Books of Hours from which to choose, both manuscript volumes and printed texts. These were often sold, in large cities, in book stalls erected directly in front of the main entrance to the cathedral. The first printed and illustrated Book of Hours appeared in 1486. It was a crude work, but later noted printers such as Verard, Du Pre, Pigouchet, and Kerver issued in great numbers Books of Hours with numerous illustrations and rich borders. The decorations were frequently hand colored and further embellished with touches of gold. These Books of Hours created a strong competition for the more costly manuscript copies. Customers who still preferred the manuscript format and could afford it also had a choice of many different types of decoration and could stipulate what quantity and quality of miniatures they desired. By this time the ivy spray had a variety of forms. It might be seen springing from an initial letter, from the end of a detached bar, in a separate panel in company with realistic flowers, or forming a three- or four-sided border intermixed with acanthus leaves and even birds, animals, and hybrid monsters which are neither man nor beast. This vellum leaf was created in France.
description
In the second half of the 15th century, the devout and wealthy laymen had a wide selection of Books of Hours from which to choose, both manuscript volumes and printed texts. These were often sold, in large cities, in book stalls erected directly in front of the main entrance to the cathedral. The first printed and illustrated Book of Hours appeared in 1486. It was a crude work, but later noted printers such as Verard, Du Pre, Pigouchet, and Kerver issued in great numbers Books of Hours with numerous illustrations and rich borders. The decorations were frequently hand colored and further embellished with touches of gold. These Books of Hours created a strong competition for the more costly manuscript copies. Customers who still preferred the manuscript format and could afford it also had a choice of many different types of decoration and could stipulate what quantity and quality of miniatures they desired. By this time the ivy spray had a variety of forms. It might be seen springing from an initial letter, from the end of a detached bar, in a separate panel in company with realistic flowers, or forming a three- or four-sided border intermixed with acanthus leaves and even birds, animals, and hybrid monsters which are neither man nor beast. This vellum leaf was created in France.
Summary
false
Digital Publisher:
Rochester Institute of Technology - RIT Libraries - Cary Graphic Arts Collection
digital_publisher
Rochester Institute of Technology - RIT Libraries - Cary Graphic Arts Collection
Digital Publisher
false
Contributor:
Ege, Otto F.
contributor
Ege, Otto F.
Contributor
false
Date of Original:
1450 approximate
date
1450 approximate
Date of Original
false
Date of Digitization:
2019
date_of_digitization
2019
Date of Digitization
false
Broad Type:
still image
broad_type
still image
Broad Type
false
Specific Type:
manuscript (documents)
type
manuscript (documents)
Specific Type
false
Digital File Format:
jpeg
format
jpeg
Digital File Format
false
Physical Format:
books
physical_format
books
Physical Format
false
Dimensions of Original:
19 x 13 cm
dimensions_of_original
19 x 13 cm
Dimensions of Original
false
Language:
Latin
language
Latin
Language
false
Original Item Location:
PORTFOLIO BOX 2-31
relation
PORTFOLIO BOX 2-31
Original Item Location
false
Digital Project:
2019_027_manuscripts
digital_projects__
2019_027_manuscripts
Digital Project
false
Catalog Record:
catalog_record
https://albert.rit.edu/record=b1426754
Catalog Record
false
Place:
France
coverage
France
Place
false
Rights:
RIT Libraries makes materials from its collections available for educational and research purposes pursuant to U.S. Copyright Law. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. It is your responsibility to obtain permission from the copyright holder to publish or reproduce images in print or electronic form.
rights
RIT Libraries makes materials from its collections available for educational and research purposes pursuant to U.S. Copyright Law. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. It is your responsibility to obtain permission from the copyright holder to publish or reproduce images in print or electronic form.
Rights
false
Notes:
The manuscript leaves of this collection were accumulated and selected and most of the accompanying information was prepared over a period of forty years by the late Otto F. Ege, Dean of the Cleveland Institute of Art and Lecturer on the History of the Book at the School of Library Science, Western Reserve University. Each leaf is matted and accompanied by a descriptive letterpress label.
notes
The manuscript leaves of this collection were accumulated and selected and most of the accompanying information was prepared over a period of forty years by the late Otto F. Ege, Dean of the Cleveland Institute of Art and Lecturer on the History of the Book at the School of Library Science, Western Reserve University. Each leaf is matted and accompanied by a descriptive letterpress label.
Notes
false
Other Title:
Book of hours
other_title
Book of hours
Other Title
false