COLLECTION NAME:
RIT CARY GRAPHIC ARTS COLLECTION
Record
Filename:
cc20190605_27
Identifier:
cc20190605_27
Title:
Gradual
Creator:
Catholic Church
Subject:
Liturgics
Subject:
Liturgies
Subject:
graduals
Subject:
Music - Manuscripts
Subject:
Illumination of books and manuscripts
Subject:
Manuscripts, Medieval
Summary:
1 column, 8 staves with one line of text beneath each staff; Written in a Gothic rotunda script in black ink with Gregorian notation
Summary:
fol. 1
Summary:
Catchword in verso bottom margin "nior".
Summary:
Previous manuscript description provided by Otto F. Ege (included below) has been superseded by description by Scott Gwara (2013). The Ege description is retained here for reference. "Ms. This manuscript leaf is part of a collection of medieval manuscript leaves selected to illustrate the art of the manuscript during the period of its greatest development and influence. They have been taken from books written in various European scriptoria by Benedictine, Franciscan, Carthusian, Dominican, and other orders of monks. Many are enriched with handsome borders, initial letters, and line-endings rendered in color. Twenty-five are illuminated with burnished gold or silver. The texts include the Bible, various church service books, the writings of the Church fathers, and some of the Classics."
Summary:
Previous manuscript description provided by Otto F. Ege (included below) has been superseded by description by Scott Gwara (2013). The Ege description is retained here for reference. "The chanting of hymns during ecclesiastical rites goes back to the beginning of Christian services. Antiphonal or responsive singing is said to have been introduced in the second century by St. Ignatius of Antioch. According to legend, he had a vision of a heavenly choir singing in honor of the Blessed Trinity in the responsive manner. Many of the more than four hundred antiphons which have survived the centuries are elaborate in their musical structure. They were sung in the medieval church by the first cantor and his assistants. Candle grease stains reveal that this small-sized antiphonal was doubtless carried in processions in dimly lighted cathedrals. In this example the notation is written on the four-line red staff which was in general use by the end of the 12th century. The script is the usual form of Italian rotunda with bold Lombardic initial letters. This leaf was created in Italy."
Digital Publisher:
Rochester Institute of Technology - RIT Libraries - Cary Graphic Arts Collection
Date of Original:
1500 approximate
Date of Digitization:
2019
Broad Type:
still image
Specific Type:
fragments (object portions)
Digital File Format:
jpeg
Physical Format:
parchment (animal material)
Dimensions of Original:
36 x 26 cm
Language:
Latin
Original Item Location:
PORTFOLIO BOX 2-27
Digital Project:
2019_027_manuscripts
Place:
Italy
Rights:
RIT Libraries makes materials from its collections available for educational and research purposes pursuant to U.S. Copyright Law. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. It is your responsibility to obtain permission from the copyright holder to publish or reproduce images in print or electronic form.
Notes:
The manuscript leaves of this collection were accumulated and selected and most of the accompanying information was prepared over a period of forty years by the late Otto F. Ege, Dean of the Cleveland Institute of Art and Lecturer on the History of the Book at the School of Library Science, Western Reserve University. Each leaf is matted and accompanied by a descriptive letterpress label.
Notes:
Folio from a manuscript broken by Otto F. Ege.
Notes:
Leaf from Otto Ege HL 27.
Notes:
Parent manuscript described in Scott Gwara, Otto Ege's Manuscripts (De Brailes, 2013).