CARY GRAPHIC ARTS COLLECTION
Antiphonaries - Illustrations
Music - Manuscripts
Illumination of books and manuscripts
Ms. This manuscript leaf is part of a collection of medieval manuscript leaves selected to illustrate the art of the manuscript during the period of its greatest development and influence. They have been taken from books written in various European scriptoria by Benedictine, Franciscan, Carthusian, Dominican, and other orders of monks. Many are enriched with handsome borders, initial letters, and line-endings rendered in color. Twenty-five are illuminated with burnished gold or silver. The texts include the Bible, various church service books, the writings of the Church fathers, and some of the Classics.
In rotunda gothic script; Gregorian notation.
The chanting of hymns during ecclesiastical rites goes back to the beginning of Christian services. Antiphonal or responsive singing is said to have been introduced in the second century by St. Ignatius of Antioch. According to legend, he had a vision of a heavenly choir singing in honor of the Blessed Trinity in the responsive manner. Many of the more than four hundred antiphons which have survived the centuries are elaborate in their musical structure. They were sung in the medieval church by the first cantor and his assistants. Candle grease stains reveal that this small-sized antiphonal was doubtless carried in processions in dimly lighted cathedrals. In this example the notation is written on the four-line red staff which was in general use by the end of the 12th century. The script is the usual form of Italian rotunda with bold Lombardic initial letters. This leaf was created in Italy.
Rochester Institute of Technology - RIT Libraries - Cary Graphic Arts Collection
Ege, Otto F.
Date of Original:
Date of Digitization:
Digital File Format:
Dimensions of Original:
36 x 26 cm
Original Item Location:
PORTFOLIO BOX 2-27
RIT Libraries makes materials from its collections available for educational and research purposes pursuant to U.S. Copyright Law. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. It is your responsibility to obtain permission from the copyright holder to publish or reproduce images in print or electronic form.
The manuscript leaves of this collection were accumulated and selected and most of the accompanying information was prepared over a period of forty years by the late Otto F. Ege, Dean of the Cleveland Institute of Art and Lecturer on the History of the Book at the School of Library Science, Western Reserve University. Each leaf is matted and accompanied by a descriptive letterpress label.
Antiphonary. Fragments. Early 15th century